荣耀六十年 已完结

片名:《荣耀六十年》

类型:剧情片

上映时间:1938

上映地区:英国

导演:Herbert,Wilcox

主演:Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla

集数: 更新至0集

语言:英语

【勤迩斯影院】推荐荣耀六十年完整版在线观看全集，荣耀六十年由知名导演Herbert,Wilcox倾情执导拍摄，运用色彩和光影的对比，为影片营造出独特的氛围和视觉效果，并且在荣耀六十年的剧情上构思独特，让整个故事情节紧凑，让观众感受到不同的观影体验。

《荣耀六十年》观后点评：荣耀六十年的特效制作非常精良，令人耳目一新，荣耀六十年对每个场景设计非常精细，每一个场景都如画一般美丽，非常好看，让每个镜头都非常出彩，令人印象深刻。

《荣耀六十年》抖音网友点评：荣耀六十年的演员是Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla，他们用出色的演技将荣耀六十年的角色塑造得栩栩如生；荣耀六十年的拍摄手法很有创意，给人耳目一新的感觉。

荣耀六十年的剧情讲述了：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor